During my stay in France last semester, I spent the first two and a half months participating in a home-stay, in other words living with a French family. This gave me the opportunity to not only develop my language skills but learn about French life and culture in the most pure and genuine way possible. My adventures in New Zealand, though perhaps more action-packed and outdoor-geared than those in France, have not afforded me a chance to learn about or interact with the native people of this country. As part of the Loyola program, we live in single room dormitories, in a building that houses mainly international students from the far East, with a scattered array of Kiwis on some of the eleven floors. The diversity is awesome, but you don't get much of maori culture from living in a place like this. Fortunately for us Loyola kids, our school had organized the New Zealand program with three built-in trips for us throughout our stay. Last weekend, we went on our second trip of our time here, which brought us to a Marae in the Northland. For those who are unfamiliar with what exactly Marae are, they are sacred meeting places for religious and social purposes or events. Although many of these places had been destroyed with the introduction of Europeans and Christianity to New Zealand, they still exist, mostly throughout the North Island, and help to retain the Maori sense of identity.
I had visited a Marae once before, when our group of Loyolans travelled up to the Bay of Islands; there we were given a tour of the Waitangi treaty grounds and shown inside the Marae. It was explained that the 'house' was meant to be a Maori ancestor, with a carving at the point of the triangular roof representing the head of this individual, the two sides meant to be the legs. Within the house, the walls were lined with carvings also mean to represent ancestors and in some cases displayed a family's bloodline with the use of design and patterns which looked simply like works of art to the blind eye. Everywhere you looked there was beautiful dark polished wood and everything was perfectly clean. The Waitangi Marae was probably one of the most visited in all of New Zealand, and had an entire staff looking after it, so its needless to say that the place was in perfect condition.
With that past experience in mind, I had this very specific preconceived notion of what the Marae would be like in the Northland. I imagined a similar building to that of Waitangi, with the same set-up inside and the same look on the outside. After a four hour drive in the pouring rain from Auckland in a cramped mini-shuttle, we arrived at Te Huia, the Marae we would be staying at for the next three days. But this place was nothing like Waitangi; it looked like somebody's house, and it was in the middle of absolutely nowhere. I tried to remain positive as we walked down a gravel drive in the rain, which had lightened up, to a gateway which was the entrance to what looked like a little compound. There were two main buildings that were connected, and two smaller ones farther back. One looked like a storage shed and the other appeared to be a bathroom. The two women who brought us there let us know about the ceremony of welcoming someone into a Marae. The next thing we knew, someone was singing out in Maori from the larger building. One of our guides returned the song and we began walking slowly towards the doorway. We entered silently and were gestured to take a seat on the bench running the length of the inside.
This Marae looked nothing like the one I had seen before. There were no carvings or designs, and instead of beautiful wooden beams of support on the ceiling there were vents with built-up dust hanging from them and old-fashioned light fixtures hanging from the ceiling. But I tried to remain optimistic.
We were taken through the steps of being welcomed into this sacred place, including us having to sing a song together (we chose Aint No Mountain High Enough) and to choose someone to say a few words about the group. The woman organizing all of this was called B, and she explained a little about the Marae and how in the past 30 years it had been restored from a derelict, almost uninhabitable place to what it was now. We would be sleeping in the Marae on mattress pads and sleeping bags, and eating our meals in the kitchen, which was another building connected to the Marae. B told us that we were in a sacred place, and certain behaviors must be observed so that the
tapu, or sacredness, of the place was preserved. For example, no shoes were allowed inside, and eating or drinking was absolutely prohibited.
With all of this new information buzzing around in our heads, we were told we could move on to the kitchen to eat dinner, which our hosts had graciously prepared for us. Afterwards, we washed our own dishes and filed back into the Marae, where we watched a Maori movie and wen to bed. The next two days rushed by. We woke at the crack of dawn, ate some breakfast, and were taken kayaking by one of the women who had driven us up from Auckland. The spot reminded me of the Bay of Islands, and we spent a few hours playing around in the kayaks off shore, and were provided with a very cute little picnic.
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| Catching some waves |
Next, we went for a little drive and did about a 20 minute hike to the top of one of the many mountains in the area. We were not permitted to go all the way to the top, because of the Maori belief that the top of anything is considered tapu. The views from the hike were amazing, and we could see 360 degrees of pure breathtaking New Zealand landscape.
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| Oyster farms off of the wharf |
As we recovered our breath at the top, B told us about some of the Maori stories and legends surrounding the area we were in, and showed us how to pick out the difference between native New Zealand plant life versus those introduced by settlers. We had been kept cool the entire hike up by cloudy skies, but as we reached the top of the mountain the clouds parted and our view became even more amazing lit up by the sun. By the time we made it back to the Marae that evening, we were all exhausted. After dinner, most of us went straight to bed and passed out.
The next day, we learned the Maori stick fighting art of Taiaha. Although not used much in battle anymore, the martial art is still considered to be an important part of the Maori culture, and is kept alive and practiced in festivals and other gatherings. The authentic weapon consists of a five to six foot stick, with a blade at one end and a long flat wooden 'tongue' at the other. We were taught the basic positions, blocks, and strikes.
Our last activity of the day, to my delight, was very arts and craftsy. We were given fast-drying clay with which to make a flute-like instrument used by the Maori people. It was very basic in design and played very similarly to how you would blow into an empty bottle to make noise. You could then add a few holes along the side to get it to play different notes.
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| Loyola students attempting pinch-pots |
We all made pretty, if not entirely functioning, little masterpieces, and by the time we finished we had to be on our way back to Auckland. We thanked our hosts, who in turn thanked us for the opportunity to spread some of their culture. Unlike skydiving, bungee jumping, or surfing, this was really an experience that we could not have had anywhere else but in New Zealand.
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| Our Te Huia Marae |